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"Postmodern man
is as open to the gospel as any has ever been--you don’t even have to prove
God, all you have to do is tell His story.” said Dieter Zander at
a recent Conference.
Zander pastored the
first GenX church in America. In 1986 he and his wife started a church
in Upland, CA. He wasn’t trying to be a trailblazer, he started it
because of group of “betweeners”--people who didn’t fit in the family section
of the church or the youth ministry because they were unmarried and too
old. In 8 years, the church, with an average age of 26 grew to 1200
in attendance.
Zander then accepted
Bill Hybels’ invitation to join the staff of Willow Creek to begin a “church
within a church.” For four years he was the teaching pastor and worship
leader for “Axis.” Today he is in San Francisco. |
Zander sat down with FreshMinistry's Online Editor,
Jim Wilson to discuss Preaching to postmodern people. Here is an
edited transcript of that discussion.
Fresh Ministry: Connecting with a Gen X audience means we need to be
multi-sensoral . . .
Dieter Zander: Yes, that's right
FM . . .and narrative rather than propositional. . .
DZ: yes,
FM: . . . Yet, as I listen some Gen X preachers, I've noticed that they
are propositional but simply buttress their sermons with the narrative.
DZ: Yes, that's a great observation.
FM: I loved your message last night, it followed a puritan pattern of
exploring an issue and making the points at the end.
DZ: Yes, I've come from the 3 point outline method, and I've been really
trying to stay away from points . . .
FM: So you're a no point preacher?
DZ: <laughter> some would say that . . .I'm really finding that if
I can take people on a journey in a message, punctuate it with windows
of different things-like last night, the story of my kids' prayers. They
(the stories) are not supporting a point as much as they are giving people
emotional resting places. I want to take people on a journey as I'm talking,
I want the journey to be not "this is the right journey," there is not
a dominance in the story, but I want there to be a humble sharing of what
God is doing. Does that make sense?
FM: Certainly.
DZ: I just had a guy in Chicago tell me (at Willow Creek where Zander
was on staff) the thing that we miss from your preaching is we never felt
that you talked down to us and that you were always sharing the part of
your life where God was dealing with you. Regardless of what you were sharing,
there was always a sense that we were with you in your journey with God,
and that helped us know how we can be on that journey too. Does that make
sense?
FM: So there was some transparency?
DZ: Oh, of course.
FM And you also assumed that your audience needed to contribute to the
message. . .
DZ: Yes.
FM: . . .maybe you raise a question without giving the answer or maybe
even raise a question that has no answer?
DZ: Right.
FM: And that's OK in this style of preaching.
DZ: Correct.
FM: It's OK to leave a sermon open ended?
DZ: Right-and that's the other part. They (postmodern people) don't
require a really nicely wrapped up ending. In fact, if its too neat at
the end, that discredits what you've talked about. There is a gut-level
sense within them that life is too easy to summarize in a 30 minute message
. .
FM: Right.
DZ: . . . or to give a 3 point answer to . . . or give . . .because
when you do that, you minimize the complexity of my life . . .
FM: and you insult my intelligence
DZ: Right.
FM: Tell me one thing, since you said we can't boil anything down .
. .
DZ: <snicker>
FM: one thing that a three-point-and-a-poem-propositional-preacher can
do. What is the most significant thing that he can do to move toward narrative
preaching?
DZ: <pause>
FM: As you're thinking about that, let me say that I have a bias that
there are no strictly narrative sermons.
DZ: right.
FM: the goal is to move it along the spectrum to become more narrative.
So what can Joe Blow preacher, like me, do to move from propositional to
narrative.
DZ: <pause> Let me give two suggestions. One is, I would say, "How
would you communicate this to an eight-year-old child?" That gets it simple.
FM: Right
DZ: But the other thing is, "How can you put this particular propositional
truth into the overall context of the story of God?" Give me a propositional
truth from the Bible.
FM: Oh . . .We were called before the foundation of the world.
DZ: That's kinda easy, because that's the whole story from God, because
we were designed for relationship. I'm always trying to put it (the truth)
in the overall setting to see what is before, after, above, below. So people
can understand it in its context. But Context isn't about interpretation,
it is about the way it informs and describes the bigger picture of life.
So its not a particle that I now take and use, it is something that infuses
my life with meaning in God's larger story that is being worked out in
history.
FM: OK, let me bounce a couple ideas I have about narrative preaching
that might help us explore this issue in another way. One idea would be
that it is a weaver taking different strands together of His story, my
story and your story. It is my believe that if I weave my story with His
story, my listener will interject their own story, substituting it and
mine.
DZ: <pause> Sounds good, yes-to the degree that when I'm watching
an Oprah show and listening to a guest and Oprah talking I find myself
going, "that's my life." Its almost like it is a surprise when it occurs.
FM: Let me throw another one at you.
DZ: OK
FM: A punch line--when we tell a joke we tell all of the background
information that clarifies the punch line, that without the information
the punch line has no meaning and cannot provide comic relief. But then
when the punch line comes, it all makes sense, and there is that strange
twist that takes place.
DZ: right
FM and its funny because it applies to this, but it also applies to
that. Sometimes I see narrative preaching as "punch-line preaching" We
are telling a story that leads to a sudden discovery.
DZ: I totally agree. I'd call that advanced narrative preaching. I find
it very hard to do-what you are getting at is the ability to create tension
and then relieving it. Sounds great!
FM: The third model I would use is "serial preaching." As opposed to
preaching a series. Like "same bat channel, same bat station." Taking one
of the great stories of the Bible and instead of summarizing it and sermonizing
it you draw it out for six to eight weeks. But instead of ending the story
with a resolution, you leave it without it.
DZ: Right, stay tuned.
FM: and the resolution comes at the introduction of the next sermon.
DZ: Yeah.
FM: What is your way of looking at narrative preaching?
DZ: I usually start with something going on in my life or people's life.
I usually start with my strand or their strand, then I bring in God's strand.
FM: OK, so the weaver's model is the one that you feel more comfortable
with.
DZ: Yeah, that's the one I identify with most.
FM: For me that's the hardest.
DZ: Really? No, see, I love that. For me the most thrilling thing about
preaching is helping people see the God that is standing right behind them
and walking with them. . . .I want to tell stories that cause people to
say, could it be true, could it really be true?
FM: mmmm
DZ: It's like the Fairy Tale. What is it that causes us to tear up at
certain points? Its that thing inside that makes us say, "Could that be
true?"
Like the strings of a guitar. When you put your face next to an "A"
string and being to hum an "A"-that string will begin to vibrate. The "D"
won't, the "G" won't, but the "A" will. Because it was created to vibrate
with that tone. The thing about the story-God's story, is that when it
is told and applied well, and when it is supported in a sensorial way,
something inside our heart starts to vibrate, regardless of whether we
are a Christian or not, because we were created for our hearts to vibrate
with that story.
FM: So if we believe, that mankind is created to worship God, when we
start worshiping in their presence and tell God's story, they will be moved
to worship Him, without a volitional choice?
DZ: Yea, I think they will be moved, but they won't know why.
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